The Three Rumbas

publication date: Mar 10, 2011
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author/source: DanceSport Place
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 Erik_Lucy_ending
 Erik Cyr & Mai Tran - International Rumba
 

When you hear the word "rumba", typically the vision that comes to mind is a romantic, slow dance-a rendevous of two lovers on the dance floor. But, there are actually three dance styles that can fit into the general category of "rumbas", in the ballroom sense.


Two share the same name, the International Rumba and the American Rumba. The International Rumba is part of the Latin American style of dancing, whereas the American Rumba fits into the American Rhythm division. The third dance is the Bolero, another dance in the American Rhythm division.

Here we'll take a look at the similarities and differences of these "3 rumbas" and see the unique traits that make all of them a pleasure to dance.

Tempos:

Dance:Pro/Am Tempo *Professional
& Amateur Tempo
*
Song Sample
Int. Rumba108 (beats per minute)104 (beats per minute)"Sera"
by Carlos Ponce

Sera - Carlos Ponce
Am. Rumba128-144128"45 (Tom Schnabel Remix)" 
 by Ozomatli

45 (Tom Schnabel Remix) - Ozomatli vs. KCRW Soundclash! - EP
Bolero96-10496 "Senor Bolero"
by Jose Feliciano

Senor Bolero - Señor Bolero

*approved tempi information gathered from the NDCA rule book

The chart above shows that the Am. rumba is the fastest of the 3 rumbas, and bolero is the slowest. As we'll discuss later, the music style and tempo influences both the technique and characterization of the individual dances.

From a musical standpoint, Am. rumba music is accented on count 1. Int. rumba is accented on count 4. Song selections are sometimes interchangable for the Int. rumba and bolero because their tempos are closer, but like the Am. rumba, bolero music is more strongly accented on count 1.

Technique:

Although the Int. and Am. Rumbas share the same name, they look distinctivly different on the floor. The Int. Rumba basic moves in a forward and back pattern in contrast to the Am. Rumba, whose basic step is the classic box step, making a square pattern on the floor.  Another clear difference is the style of hip action used. The Int. rumba utilizes technique where each step lands with a straight leg with the hip then swinging over that standing leg. For the Am. Rumba, ultimately the same action happens, but it comes about a bit slower, because each step is first landed with a slightly bent knee. After landing on the bent knee, the dancer proceeds to straighten it and then swing the hip over that standing leg. Through the past years, this distinction has become less noticable, as many European trained dancers competiting in the American rhythm category have influenced a more obvious use of the straight leg action technique, but nevertheless, most judges agree that a certain amount of bent knee action is desirable to maintain the authentic "American" style.

 The Flirty American Rumba
 

Jason Daly & Sveta Zlochevskaya

American Rhythm finalists, Daly & Zlochevskaya, execute a clear vision of the true American style technique in this clip. Watch the beginning of their routine to see the use of bent knee action, that distinguishes this rumba from the Int. Rumba.  Also note the faster tempo allows for a more fun tone in the feeling of the dance, less serious than the Int. or Bolero.

"I'm Forrest...Forrest Gump"
by Alan Silvestri
I'm Forrest... Forrest Gump - Forrest Gump (Original Motion Picture Score)


Being the slowest of the three rumbas, the bolero technique is quite different. Because the depth of the knee action is more accentuated in this dance, there can be a waltz-like feel of rise and fall, although using actual footrise in the basic has become an outmoded technique. There is strong use of bodyrise (through the knees) and because of the slow intense music, bolero is also characterized with suspended stretching and the creation of beautiful lines.

Characterization:

Maybe the biggest difference in the two rumbas with the same name, is their characterization. Because the tempo of the Am. rumba is so much quicker, the music itself doesn't always portray such a romantic, loving feeling, but can be interpreted more of a flirtatious affair, like the dating period of a relationship. With it's slower tempo, the Int. rumba is often danced to in the feeling of a more mature relationship, with levels of passion that come from familiarity of a relationship. Sometimes in the Int. rumba, dancers also portray both highs and lows that are experienced in relationships, even moments of rejection, followed by reconciliation and intimacy.

The Dimensional International Rumba
 

Slavik Kryklyvyy & Anna Melnikova

Here is a beautiful Int. Rumba showcased by International Latin world finalists, Kryklyvvyy & Melnikova.  This rendition showcases the stages of a relationship wonderfully. In their portrayal, you can see moments of separation mixed with reconciliation. Also note the exceptional use of the straight leg action.


"Always on my Mind" by Michael Buble
Always On My Mind - Call Me Irresponsible (Bonus Track Version)


If the American Rumba can be described as the dating period, and the International Rumba the more mature stage of a relationship, the bolero can be thought of as the most intimate, passionate moments of a romance. As it's been said, this dance characterizes what happens "behind closed doors".

The Intimate Bolero 

Jose Decamps & Joanna Zacharewicz

 This clip shows the current American Rhythm world champs, DeCamps & Zacharewicz, showcasing a gorgeous bolero. Notice the smooth use of the basic movement and how the rise and fall action is created through the knees. The characterization of the dance is brought to life here, as you feel like you are watching a beautiful love story unfold. Technically, fantastic connections by this couple make incredibly difficult choreography come off seamlessly.

"Contigo en la Distancia"
by Christina Aguilera

Contigo en la Distancia - Mi Reflejo



Three Rumbas, Three Stories:

These three dances do share similarities in their technique and feeling, but the differences between them are what allows dancers to explore and create distinct contrasts, making dancing each of them unique and exciting.


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